women’s dance
Qamazhai
Flowing arms and shoulders, dignity and strength. The sun stands for life and warmth, the snake for wisdom and renewal.
Impact project · Qamazhai & Qara Zhorga
How two folk dances are becoming the country’s calling card — in five seconds.
Act I · A country without a gesture01 / 15
Act I · A country without a gesture02 / 15
New Zealand
The rugby team’s pre-match ritual.
Iceland
The fans’ thunderclap — after Euro 2016, the whole world copied it.
Korea
A gesture from K-pop and K-dramas that needs no translation.
Kazakhstan has no such gesture yet — so the world fills in our image for us.
Act II · The gesture is already alive03 / 15
One movement — in a yurt and on stage, in costume and in a hoodie.
Act II · The gesture is already alive04 / 15
women’s dance
Flowing arms and shoulders, dignity and strength. The sun stands for life and warmth, the snake for wisdom and renewal.
the ambler’s dance
The step of an ambling horse and the work of the shoulders. It is danced in a circle — and anyone can join that circle.
This reading of the symbols is the Qamazhai project’s interpretation.
Act II · The gesture is already alive05 / 15
Female fans danced it right in the stands — the video spread across social media.
Source: Sports.kz, 28 Sep 2024
Delegates of the 73rd session of the WHO Regional Committee for Europe in Astana warmed up to Qara Zhorga — the whole hall danced.
Source: Informburo.kz, 25 Oct 2023
Act II · The gesture is already alive06 / 15
A warm-up at the start of a race with 3,000 runners from 40+ countries.
Female fans cheered athletes on with Qamazhai moves.
A phonk version and a video where two dances and two eras merge into one movement.
Act III · How a gesture becomes a symbol07 / 15
Act III · How a gesture becomes a symbol08 / 15
Act III · How a gesture becomes a symbol09 / 15
Act III · How a gesture becomes a symbol10 / 15
= 1,720 videos
70M
views — the first-wave target
Act III · How a gesture becomes a symbol11 / 15
How we measure
Act IV · An invitation12 / 15
We fund
A public good
What sustains it
Act IV · An invitation13 / 15
“I want a foreigner who hears ‘Kazakhstan’ to think not of Borat but of Qamazhai — and to repeat our gesture the way the whole world repeats the Korean finger heart.”
“David and I told ourselves: Korea has its own gesture — let’s create ours. Today artists are already picking up the Qamazhai moves on their own: the gesture lives without us.”
Act IV · An invitation14 / 15
Appendix
The gesture is a public good, like the haka or the finger heart. Around it grows what brings both impact and income: music, production, events, brand campaigns. An impact partner gets measurable results; a brand gets a role in a cultural movement rather than in an ad.
No. Qamazhai is an independent initiative of a creative team. The gesture comes from the ground up: from the stands, from creators and viewers. We welcome support, but we set the format ourselves.
Qara Zhorga is danced in Kazakhstan, in Kyrgyzstan and by the Kazakhs of China — it is shared Turkic heritage. We don’t argue about who was first: a gesture that unites is stronger than one that divides.
Views and reach, the number of viewer videos with the gesture, offline event participants, the countries where the gesture has appeared, the share of women creators. Partners get a report after every wave.
We have already seen it take off on its own — in the stands and in the WHO hall. The first wave is built to show within a few weeks which formats work, so we can shift our effort.





